I explore how I incorporated my daughter's voice into Once Upon a Cloudtop Meadow—from unscripted bedtime storytelling and melodic fragments to vocal sampling and percussive sounds. These recordings helped capture the intimacy and wonder of early childhood, turning our shared moments into musical textures. It’s a deeply personal collaboration that adds emotional depth and narrative richness to the album’s sonic world.

What makes a piece of music feel coherent, compelling, or even cinematic? In this post, I explore the often-overlooked role of musical form.

There’s a certain magic in how a room sounds—and each one sounds different, with its own signature reverberation.

Perfectionism is a mirage—chase it, and you'll never finish. Here are my tips to move forward, and share your work with confidence.

The journey of creating Once Upon a Cloudtop Meadow began during the quiet, reflective time of the pandemic.

The fourth and final single from my upcoming fairy tale-inspired concept album has just been released! This marks the last chapter before...

The music industry is changing, but not for the better. I want to share my thoughts on this and how you can make a real difference.

Discover how modern sample libraries transformed my approach to music production.

What if you could step into the mind of a creative person? What would it look like? What sounds would you hear?

I'm thrilled to announce the release of a new single, A Night at the Cloudtop Imaginarium.

What exactly is a berceuse? In short, it is the French term for "lullaby", but the berceuse is more than just a simple bedtime tune...

The story above the clouds continues with the second single from my upcoming fairy-tale inspired concept album.

Dear Friends, the wait is over! Sleepwalker, the first single from my upcoming album has arrived on all platforms.

Tone Poems were the original movie soundtracks before movies even existed. Curious? Let’s explore further...

Life has a way of circling back. A chain of events brought me to where I am today, culminating in the release of my first orchestral piece.

I was in the right place, at the right time; I happened to have a completed orchestral piece sitting on my desk, so I thought, why not?

"Tell us about your piece, the Concerto for Piano and Strings”.  My heart sank. It was one thing to compose, but to talk about it?

It was a nice spring morning in London in the year 2007. I casually headed out to catch a bus to Abbey Road Studios